10-November-2021
Millennium Forum
Derry, Northern Ireland

Brian's thoughts on Derry night 1

I attended my first Van show in several years on a whim, having made a late decision to attend just the night before. The tickets came courtesy of a kindly list member, Darren O'Beirne, who offered two front row seats at face value (did I mention front row seats?). I had no real expectations about what I was going to get from Van and was very pleasantly surprised. I’ve seen him enough (hundreds of times since the 70”s) to know a good performance when I see one. 

Onto the show, we caught the opening act, Dea Matrona and I really liked them. They are an up-and-coming trio of young girls. They’re not the finished article, but I think they’ve got the potential to break out. 

Van came on promptly at 8 and delivered a fast-paced bluesy, jazzy be-bop set and I LOVED it. He was on and engaged and while the setlist was not what I personally might have chosen, it was really well constructed as a performance and entity. Without going through the setlist which others have posted, he started off with a bunch of songs from his Latest Record Project. Having heard them on CD and Spotify I couldn’t believe the difference (Improvement) in the songs when performed live. Van belted out the tunes with the backing of his slick and professional band. If i had my druthers, I could've used a little guitar from Van (he didn't pick one up) but there was some absolutely stellar harp work. 

Am I mistaken, or is Van’s voice getting better? This is no tribute act or band, this is a singer in command of his god given talents with a great set of musicians supporting him. Even the much derided Broken Record worked really well in this environment. The set was over all too soon for me, but I left feeling the whole rushed effort to get to see the show was wholly worthwhile. So, thanks once again Darren O'Beirne for the “nudge” to attend, and thanks to Van Morrison. My advice, if you stick to songwriting and performing music, you can’t go wrong and you’ll have a great career. I’m back on the train. A big hand for the band! 

Ps did I mention I got to witness all of this from the front row? Couldn’t take my eyes off of Van but unfortunately couldn’t see the lovely Teena Lyle or Elle Cato although I did catch Teena’s “Swim” dance when standing for the encore. 

-Brian H.

Setlist 

Latest Record Project 

Deadbeat Saturday Night 

Double Agent 

Thank God for the Blues 

Up County Down 

Days Like This 

Don't Worry About A Thing 

Gonna Send You Back 

Symphony Sid 

Sometimes We Cry 

In The Midnight 

Baby Please Don't Go 

Think Twice Before You Go 

Ain't Gonna Moan No More 

Broken Record 

Foreign Window 

Magic Time 

Moondance/My Funny Valentine 

Wild Night 

Cleaning Windows 

Help Me 

Brown Eyed Girl 

Gloria

Big Hand For The Band! 

Dave Keary (Guitar, Banjo, Bouzouki, Backing Vocals) 

Paul Moore (Bass) 

Paul Moran (Piano, Keyboards, Trumpet)

Teena Lyle (Percussion) 

Elle Cato (Vocals)

Richard Dunn (Keyboards)

Colin Griffin (Drums) 

07-November-2021
St. David's Hall
Cardiff, Wales

Setlist 

Latest Record Project 

Deadbeat Saturday Night 

Double Agent 

Thank God for the Blues 

Up County Down 

Days Like This 

Precious Time 

In the Midnight  

Baby Please Don't Go / Got My Mojo Working 

Think Twice Before You Go 

Sometimes We Cry 

Magic Time 

Jumpin' With Symphony Sid 

Foreign Window 

Vanlose Stairway 

Wild Night 

Ain't Gonna Moan No More 

Broken Record 

Moondance  

The Healing Game 

Help Me

 
Big Hand For The Band! 

Dave Keary (Guitar, Banjo, Bouzouki, Backing Vocals) 

Paul Moore (Bass) 

Paul Moran (Piano, Keyboards, Trumpet)

Teena Lyle (Percussion) 

Elle Cato (Vocals)

Richard Dunn (Keyboards)

Colin Griffin (Drums) 

06-November-2021
New Theatre Oxford
Oxford, England

Oxford Mail (Source) 

After missing out on numerous cancelled concerts due to the pandemic, I’m keen to see as many bands as I can right now. 

So I was delighted when Van Morrison included New Theatre Oxford on his tour dates. 

I have been listening to the legendary singer since I arrived at Bangor University in 1985 and a guy in my hall of residence persuaded me that the Moondance and Hard Nose the Highway albums were an inspired lifestyle choice, and I have been enjoying his records ever since. 

What could go wrong? Nothing really, unless the star – who has a reputation for being slightly grumpy – used the stage as a soapbox to start ranting about coronavirus or anything else bugging him. 

That wasn’t the case at all, and he arrived on stage with seven other talented musicians including two keyboard players and two female backing singers. 

With guitars, saxophone and a double bass it was a full, rich accompaniment to Van’s soulful voice, which still sounds very strong at the age of 76. 

With just a short introduction from a member of the band, Van Morrison, looking smart in shades, hat and blue suit, embarked on an energetic 90-minute set. 

The first five songs all came from his new album, Latest Record Project Vol 1, and although I hadn’t heard them before, they were all strong, fairly up-tempo melodies I could get along with. Deadbeat Saturday Night has a lovely swing to it and Up County Down is catchy too. 

Pausing for breath – but not to talk to the audience – Van took his foot off the gas with crowd pleaser Days Like This was followed by other favourites including Precious Time (from Back on Top), Foreign Window (No Guru, No Method, No Teacher) and Sometimes We Cry from The Healing Game. 

With such an extensive back catalogue the slight worry for anyone going to a Van concert is that he will pick too many songs you are unfamiliar with. 

But luckily I didn’t experience that problem – I recognised more tunes than I thought I was going to and Baby Please Don’t Go, an R&B number Van first performed with his band Them in the sixties, was a feisty reminder of his longevity. 

‘I’ve got my mojo working,’ he reminded us and by this point in the show no one was going to argue. 

Think Twice Before You Go was followed by Broken Record and then Van launched into Moondance, signalling to the crowd that we were more than half way through the evening. 

The delivery of Moondance was a little too jazzy for my taste but he delivered a more traditional take of Whenever God Shines His Light, which won plenty of applause. 

In the Midnight from Back on Top concluded the main set before Van Morrison left the stage, only to return shortly after a few minutes for the encores, Brown Eyed Girl and Gloria, a 20-minute rock ‘n’ roll finale to showcase his band of musicians and their undoubted talents. 

Afterwards, I realised that only a few people in the section of the theatre where I was sitting were wearing masks. 

But venue staff were meticulous as usual in checking everyone’s Covid passes on entry so it didn’t stop me from enjoying such an enthusiastic performance. 

-Andrew Ffrench 

Pat Corley' Blog has review of gig 

This is the second time I have stayed in Oxford for a Van Morrison concert. The previous occasion was when me and Kim went to see Van & Joan Armatrading play at Blenheim Palace about fifteen years ago. This time he was in concert at the New Theatre on George Street. I got to Oxford in the afternoon and made my way to my hotel in Wellington Square. I had intended to have a look around the famous Ashmolean Museum, but in the end, I stayed in my room listening to the football. My team Peterborough narrowly lost 1-0 to Fulham. Finally, I made my way to the Wig & Pen pub. After a while fellow Van fans Emer, Jane & Fumiko arrived. The pub was packed and noisy, but we managed to find a corner that was a bit quieter and ordered some food. Eventually we made our way across the road to the theatre. Van and his seven-piece band were promptly on stage at 8.00. There were two different members from the last time I saw Van back in September. I hadn’t seen the new backing singer Elle Cato before. I thought she was an impressive addition to the band. There was also an extra keyboard player sitting behind Paul Moran who I am quite certain is Richard Dunn who played on Van’s most recent album. 

Read the rest of review here.

Setlist 

Latest Record Project 

Deadbeat Saturday Night

Double Agent

Sometimes We Cry

Symphony Sid

Broken Record

Foreign Window

Thank God For The Blues

Precious Time

Up County Down

Ain’t Gonna Moan No More

Days Like This

Baby Please Don’t Go /Got My Mojo Working

Think Twice Before You Go

Moondance

Cleaning Windows

Wild Night

Whenever God Shines His Light

Magic Time

In The Midnight

Help Me

Brown Eyed Girl

Gloria

Big Hand For The Band! 

Dave Keary (Guitar, Banjo, Bouzouki, Backing Vocals) 

Paul Moore (Bass) 

Paul Moran (Keyboards)

Teena Lyle (Percussion) 

Richard Dunn (Keyboards)

Elle Cato (Vocals)

Colin Griffin (Drums)