12-October-2018
St. Davids Hall 
Cardiff, Wales

South Wales Argus Source
VAN Morrison is no fan of onstage banter. The audience at St David's Hall didn't even get a cursory 'Hello.' What they got instead was a back catalogue reinvented by swinging jazz musicians.

With no time for pleasantries, Van the Man adopted his familiar pose at the front of the stage. Standing bolt upright, the Belfast balladeer threw his head back and belted out lyrics.

Dressed in black, with sunglasses and a wide-brim hat, his quickfire, shouting delivery demanded attention. The six-piece band were red hot, lighting up classics like Moondance.

Over five decades and 40 albums, the Celtic crooner has dipped into many genres, including folk, swing, pop and more.

For this show, familiar hits were given extended jazz reworkings, with Van joining in with the improvising on sax. The audience bobbed along to Brown Eyed Girl, his signature 1967 hit.

These new versions mostly worked well, although those who hoped for straight-up recreations of the records would have been disappointed. Bar a single, muttered, "Thank You", he didn't talk to the Cardiff crowd at all.

During the final number, he shuffled off stage, leaving his band to jam for a further 15 minutes. The sold-out crowd waited patiently for him to return, but Van had vanished.
-Declan Harte

Setlist (Thanks Pamela K.)
Hold it Right There
Talk Is Cheap
Magic Time
Baby Please Don’t Go/Don’t Start Crying Now
Here Comes The Night
Sometimes We Cry
Tore Down A La Rimbaud
Foreign Window
New Symphony Sid
Have I Told You Lately
Carrying A Torch
Moondance
Broken Record
Wild Night
Why Must I Always Explain
Days Like This
Precious Time
Steal My Heart Away
In The Afternoon/Ancient Highway/Joe Turner Sings/Raincheck/Sittin’ pretty
The Party’s Over
Brown Eyed Girl
Ballerina

Time
105 minutes

04-October-2018
Europa Hotel
 Belfast, Northern Ireland

Setlist Thanks (Mike S.)
Hold it Right There
Got to Go Where the Love Is
Ain’t Gonna Moan No More
Send You Back To Where I Got You From
The Prophet Speaks
The Way That Young Lovers Do
Roll With the Punches
Laughin and Clownin
Love Is Hard Work
Everyday I Have the Blues
Centerpiece
Magic Time
Goldfish Bowl
Party’s Over
Moondance
Into the Mystic
Gloria

03-October-2018
Europa Hotel
 Belfast, Northern Ireland

Setlist (Thanks Mike S.)
Hold It Right There
Got to Go Where the Love Is
Ain’t Gonna Moan No More
Have I Told You Lately
Laughing and Cryin
Magic Time
Worried Blues Rollin and Tumblin
Close Enough for Jazz
Traveling Light
Miss Otis Regrets
Broken Record
Teardrops
5am Greenwich Mean Time
When the Prophet Speaks
Moondance

02-October-2018
Europa Hotel
 Belfast, Northern Ireland

Setlist (Thanks Mike S.)
Hold It Right There
Got to Go Where The Love Is (From The Prophet Speaks)
Miss Otis Regrets
Gonna Send You Back To Where I Got You From (From The Prophet Speaks)
Teardrops (From The Prophet Speaks)
Dimples/Green Onions (From The Prophet Speaks)
Magic Time
Have I Told You Lately
Broken Record
Rollin and Tumblin (From The Prophet Speaks)
Spirit Will Provide (From The Prophet Speaks)
Moondance
Laughin and Clownin/Lonely Ave (From The Prophet Speaks)
Things I Used To Do
Everyday I Have the Blues

12-September-2018
Forest Hills Stadium
 New York, USA

New York's Michael Fishman on Van in Queens, NY

Van figuratively blew the roof off the open air Forest Hills Stadium Tuesday night. With a band that included Jay Berliner and David Hayes, Van opened with The Way Young Lovers Do, the first of four songs he would perform in a nod to the 50th Anniversary of Astral Weeks .A tight Sweet Thing followed with lots of focused singing and improvisation from Van, followed by Mose Allison’s Benediction, a wistful Magic Time, a swinging Have I Told You Lately That I Love You, One Irish Rover, whose measured rhythm nicely captured the mood of the original recording, a taste of the blues with Baby Please Don’t Go -- Here Comes The Night that had a few people near me dancing, followed by Wonderful Remark, which remarkably kept one of the people dancing, a nice surprise in Enlightenment, which while not particularly special was striking to hear in the open (and misty wet with rain) air in the packed little stadium. Then came Beside You, striking on an altogether different level, impressive in Van’s commitment: gesturing, telling a story, painting a picture, hearkening back to 1968 yet infused with the past five decades of Van’s wide-ranging musical explorations. Jazzy, soulful, bluesy, folky, aching. The performance was aided mightily by the classical guitar of Jay Berliner, who masterfully recreated his work from the original album.

What better to follow this momentary bit of transcendence than a rousing Wild Night that proved a surprisingly smooth transition and had the by-now beyond appreciative audience singing “Ooooooooooowheee” to Van, no doubt taking many back to their first spins of Tupelo Honey. Moondance followed with Van on sax taking the music into serious jazz, So What/My Funny Valentine territory. There’s a particular magic to Van’s original recording that could never be recreated but it’s a testament to the strength of the melody that the main theme can be improvised upon so easily and segue so smoothly into the slow swing of So What. Broken Record followed with the audience laughing in delight. By now, certainly, it was apparent that Van’s voice is in fine shape and his timing impeccable; no shouting, on top of the beat but not rushed, deep, round, aged like a fine wine and, as ever, pushing and pulling the words along, stretching out vowels, alternating fast and slow line readings. Van then strapped on the guitar and what could have been Vanlose Stairway proved to be Why Must I Always Explain. A fine version but I can't deny I was hoping for a Vanlose Stairway.

And then, and then...In The Afternoon. An absolute powerhouse, Van delving deep, opening the door to the workshop, showing us how the works gets done, picking up the sack, Flip Flop and Fly, the Ancient Highway, the factories, “We’ll be walking and talking on miles of golden sand,” stage darkened towards end of hushing song then a spotlight on Van “Take my hand and SQUEEEEZE!” Wow. But as usual with Van, no time to float on that particular heaven because Symphony Sid followed immediately. Well, anyone’s who’s seen Van knows he’s not one to bask in applause. It’s a job, you know, and he has to get on with the show. So, bing bang bing bang...hard to not tap your feet or bob your head to this jazzy chestnut. Then finally Brown-Eyed Girl for all the Brown-Eyed Girl fans waiting patiently. This perhaps over-played chart-topper was surprisingly followed by a grand Ballerina, another wow, harkening back to the evening’s Beside You. Van the troubadour again gesturing, performing the song, bringing the images to life, the alternately gentle and insistent lines sung with deep passion, yet the approach and voice naturally changed from the years, Van’s humor coming through, “Here come the fuzz!” and a voice that still growls like a lion but it’s an older lion, five decades worth of blues, jazz, soul and folk returning, the voice still rich, still eternal, but more rooted in sold ground than clouds on high, a tale of youth filtered through the prism of time. Not only is Van’s voice still as strong as ever but his unique searching continues; he still takes single words and stretches them out, twisting and turning the vowels, holding a note until all meaning starts to disappear, moving into pure sound. As far as that Voice is concerned, even just the passion that Van earlier injected into a single and very singular “Yo!” in Have I Told You Lately That I Love You was worth the price of admission and sitting in the rain. Well, we were in the garden, after all, and the garden is often wet with rain. It’s where we go to get clean.
-Mike Fishman

Setlist
The Way Young Lovers Do
Sweet Thing
Benediction
Magic Time
Have I Told You Lately (Vegas version)
One Irish Rover
Baby Please Don't Go
Here Comes The Night
Wonderful Remark
Enlightenment
Beside you
Wild Night
Moondance
Broken Record
Why Must I Always Explain
In the afternoon/Ancient Highway/Raincheck/Burning Ground
Symphony sid
Brown Eyed Girl
Ballerina
Gloria

Big Hand For The Band!
Dave Keary (Guitar)
Jay Berliner (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards/Trumpet)
Mez Clough (Drums)
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

11-September-2018
Blue Hills Bank Pavilion
 Boston, USA

Improper (Source)
Van Morrison comes with a mercurial reputation – and he doesn’t come often enough, despite a fervent following in Boston. At his best, the Celtic soul singer channels a mystic spirit, nearly speaking in tongues when he loses himself in his songs. At other times, he can seem more detached and frustrate audiences with his song selection. And it’s easy to muse that, at age 73, his best nights must be behind him.But Morrison lived up to his mythic billing at Blue Hills Bank Pavilion on Tuesday (if not the hundreds of dollars per ticket on the resale market for the waterfront venue’s hottest show in a busy summer). Taking the stage exactly on time in his trademark fedora, sunglasses and pinstriped suit, he covered the bases with a sure spread of hits, other favored nuggets and even a surprise or two, backed by a reverentially supportive eight-piece band that even added violin and vibes. If not entirely transcendent, the show found the mostly stoic Morrison in fine voice, clearly invested in the evening and inscrutably himself.After a dashed-off duet of standard “That Old Black Magic” with daughter Shana, who opened the show, Morrison wasted no time dipping into 1968’s hallowed Astral Weeks (birthed in Cambridge and the subject of a recent book by local musician Ryan Walsh), scatting into “The Way Young Lovers Do” and “Sweet Thing.” But he was just warming up. Manning his alto sax with punctuation, Morrison segued from “Magic Time” into the balled “Have I Told You Lately,” which eased into a swinging buildup and a spritely sax/trumpet tradeoff.Two tunes from Morrison’s mid-60s band Them lent a surprise jolt, as the singer brandished his harmonica and steered “Baby, Please Don’t Go” into a virtual Sun Records session before dropping into “Here Comes the Night,” his voice purring across that song’s lively bars. Then he dove into the flow of “Cleaning Windows,” ad-libbing into the rockabilly standard “Be-Bop-a-Lula,” and finally brought the crowd to its feet for the “sha-la-la-la” sing-along of “Wild Night.” It was already one of those for the Van faithful – and the show was only 40 minutes old.From there, Morrison relaxed a bit within the folds of the band, imitating a vinyl skip in “Broken Record,” and donning an electric guitar for relative rarity “Vanlose Stairway” and an emotive cover of “I Can’t Stop Loving You” complete with pedal-steel solo. And yes, fans returned to their feet — if frustratingly to the obvious — for the jazzy “Moondance” and “Brown-Eyed Girl,” with house lights up for its “sha-la-la-la” sing-along. The same reaction greeted a predictable encore of “Gloria,” yet Morrison didn’t mail in that classic, navigating the feeling in each line before he gestured credit to the musicians and left the stage for the last time after nearly 90 minutes. The band impressively vamped and soloed (with glances over the shoulder) for another 10 minutes, but the Belfast Cowboy had left the building.
-Paul Robicheau

Setlist
Black Magic w/Shana Morrison
The Way Young Lovers Do
Sweet Thing
Benediction
Magic Time
Have I Told You Lately
Warm Love
Baby Please Don't Go/Don’t Start Cryin’ Now
Here Comes The Night
Cleaning Windows
Wild Night
Days Like This
Broken Record
Vanlose Stairway
I Can’t Stop Loving You
Whenever God Shines His Light
Moondance
Symphony Sid
Help Me
Brown Eyed Girl
In The Garden
Gloria

Big Hand For The Band!
Dave Keary (Guitar)
Jay Berliner (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards/Trumpet)
Mez Clough (Drums)
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

07-September-2018
KeyBank Pavilion
 Burgettstown, USA

Times Online Source
Well, it was a marvelous night for a moon dance Friday, with Van Morrison at KeyBank Pavilion singing many of his classic songs.

Not that the lazy fans in the second-tier seats got up on their feet to shake and groove until the very end, though it looked rather lively on the lawn.

Granted, Morrison’s 90-minute performance got off to a slow start, bringing initial fears of, wow, what if the 45-year wait to see the Northern Ireland legend on a local stage didn’t meet expectations? Morrison and his band sounded too quiet, especially compared to the guitar-shredding set of alt-country artist Sturgill Simpson that had preceded them.

Morrison seemed to notice it, too, making a few upward pointing gestures, as in, hey, turn up the volume. Morrison played sax on “Benediction (Thank God For Self Love),” and he and his lightly jazzy pop-rock band sounded OK on “Magic Time,” but they were still too quiet and in need of more energy. Sporting a dark suit, tinted glasses and stylish hat, Morrison added harmonica to the blues standard “Baby, Please Don’t Go,” which perked up things. Everything finally started to click — evidently volume adjustments were made — as Morrison’s signature, soulful voice got good and peppy on “Here Comes The Night” by his 1960s band Them.

From there, it truly was a marvelous experience, as the band began to assert itself, including soothing female backing vocals on “Carrying a Torch” then the classic “Moondance,” somewhat re-arranged, with a prominent bass line behind Morrison’s jaunty vocals.

Van The Man even cracked a smile during “Broken Record,” where he and the band imitated a broken record, complete with a scratching, stuck needle sound effect, and him repeatedly singing “broken record, broken record, broken record...”

The excitement grew with a back-to-back “Days Like This” and the classic “Wild Night,” while Morrison played piano for “I Can’t Stop Loving You.”

And talk about an epic ending, with the famed “Brown Eyed Girl” sparking the crowd to sing “Sha la la la la la la la la la la, dee dah” — just like that — and then a spry “Gloria,” in all its G-L-O-R-I-A glory, getting even those spectators in the pavilion’s second tier to stand and dance.

Not only did local Morrison fans get to a cross an item off their bucket list, they saw a fine performance.
-Scott Tady

Setlist
The Way Young Lovers Do
Benediction
Magic Time
Baby, Please Don't Go
Here Comes the Night
Cleaning Windows
Carrying a Torch
Moondance
Broken Record
Days Like This
Wild Night
Sometimes We Cry
Enlightenment
I Can't Stop Loving You
Vanlose Stairway
Warm Love
Wonderful Remark
Whenever God Shines His Light
Jackie Wilson Said
Help Me
Brown Eyed Girl
Gloria

Big Hand For The Band!
Dave Keary (Guitar)
Jay Berliner (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards/Trumpet)
Mez Clough (Drums)
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

31-August-2018 
Wrest Park 
Silsoe, England

Brendan checks in again with review of Van's gig on his 73rd birthday

Van Morrison/The Waterboys/Hot House Flowers at Wrest Park, Bedfordshire, 31st August 2018

I usually avoid these festival shows like the plague but as it was Van Morrison's 73rd birthday I hoped that he might produce a special show to mark the occasion but it was a forlorn hope as it transpired.

Hot House Flowers commenced proceedings with a rather sedate set consisting of some of their better known material including Don't Go along with some traditional Irish material. The Waterboys by contrast hit the stage running and played a brilliant set culminating with The Whole of the Moon and Fisherman's Blues. Apart from Mike Scott on vocals,guitar and piano the band also features the incredible Steve Wickham on violin and an organ player who goes by the name Brother Paul and is a real throwback to days of yore with long blond hair flowing as he was virtually hanging over the edge of the keyboards while delivering several outstanding solos. The band also features the outstanding former Van drummer Ralph Salmins.

After the Waterboys set I reckoned Van would have to reach some great heights to emulate their performance but he came nowhere close. As the set list indicates, this show was a typical festival one featuring plenty of 'the hits' alongside several jazz standards and jazzy reworkings of Van songs none of which to my ears are an improvement on the original versions.The third song was the rarely played Start All Over Again which was emphasised by Van demanding the lyrics sheet at the song's commencement. Bring It On Home To Me was strong once again as was Carrying A Torch but it was only toward the end that the show picked up somewhat with the inclusion of Did Ye Get Healed,Why Must I Always Explain and In The Afternoon after which Van exited the stage singing the line 'Need A Shot of Rhythm and Blues' over and over. Van did return for an encore of Brown Eyed Girl and an extended Gloria which, in fact, got by far the biggest audience reaction of the night with the band really cutting loose after Van departed. Dana Masters did some great vocals, Paul Moore produced some really funky bass lines while Teena Lyle has undoubtedly added to her fan base after an extended percussion solo.

The audience incidentally was a typical festival one with virtually everyone in the unreserved area where most were congregated talking and laughing non stop throughout with the music of secondary importance and being purely of a background nature. It continues to fill me with a sense of wonder that people are prepared to travel such long distances and spend so much on concert tickets just to have a good chat and a few drinks with their friends. It seems that once they take a few photos to prove they were there to be shared with their friends (i.e.the other ones that they were not talking to throughout the concert) then their night is complete.

As the festival shows near completion for 2018 it is to be hoped that Van will then delve more deeply into his real quality material for future shows and perhaps deliver some more Llangollen type shows which would be much more representative of his outstanding musical legacy.
-Brendan Hynes

Setlist
Skye Boat Song (instrumental)
Benediction
Start All Over Again
Magic Time
Only A Dream
Bring It On Home To Me
Baby Please Don't Go/Don't Start Crying Now/Got My Mojo Working
I Can Tell
Carrying A Torch
Enlightenment
Jackie Wilson Said
Have I Told You Lately (fast version)
Moondance
Broken Record
Did Ye Get Healed
Why Must I Always Explain
Whenever God Shines His Light
In The Afternoon
Brown Eyed Girl
Gloria

Set Time 1h 39m

Big Hand For The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards/Trumpet)
Mez Clough (Drums)
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

30-August-2018 
Bonus Arena 
Hull, England

Brendan is back with review from new venue in Hull

Van Morrison at the Bonus Arena, Hull -30th August 2018

This concert saw the official grand opening of this new venue and it was more or less filled to capacity. After quite a number of European outdoor festival shows which have consisted largely of the 'radio hits' I was hopeful that tonight's indoor show would feature much more of the real classic material that the dedicated Van fans yearn to hear as evidenced by the ecstatic reaction of fans to the quality material delivered at the Llangollen show in July. The opening half of this show however was pretty unremarkable and contained no real surprises although How Far From God and the Baby Please Don't Go medley were strongly delivered and went down really well with Dave Keary most prominent on electric guitar.A really strong Bring It On Home To Me was the first real indication of Van being really committed to the task at hand and this was followed by a fast but pretty ordinary cover of Benediction while Broken Record which followed was notable for Van increasing the number of consecutive times he uttered the song title towards its conclusion to 29.

Enlightenment and Carrying A Torch provided the first real indication of Van moving into a higher gear and while Days Like This saw a brief return to 'hits' territory a lovely Did Ye Get Healed picked up the tempo again. All In the Game was a most welcome addition and saw Van repeat over and over once more that "this is it" and there is "no plan B and no safety net". Warm Love was well delivered and received before a further trip down the ancient highway In The Afternoon brought the main show to a conclusion. When Van returned to the opening strains of In The Garden it seemed that more magic would ensue but sadly after a beautiful Dave Keary acoustic guitar solo this was a version cut brutally short as Van exited swiftly again mid-song only to return briefly to fit in what he apparently feels is the almost obigatory rendition of Brown Eyed Girl.

Van was in fine voice and sang with great power but there was no interaction with the audience throughout the show tonight.
-Brendan Hynes

Setlist
Skye Boat Song (instrumental)
Lets Get Lost
How Far from God
Magic Time
Back On Top
Baby Please Don't Go/Don't Start Crying Now/Got My Mojo Working
I Can Tell
Moondance
Have I Told You Lately (fast version)
Bring It On Home To Me
Benediction
Broken Record
Enlightenment
Carrying A Torch
Days Like This
Did Ye Get Healed
All In The Game
Warm Love
In The Afternoon
In The Garden
Brown Eyed Girl

Set Time 1h 38m

Big Hand For The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards/Trumpet)
Mez Clough (Drums)
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

14-August-2018 
SF Masonic Auditorium 
San Francisco

Setlist
Hold It Right There
Ride On Josephine
Look Down the Road
Magic Time
Have I Told You Lately
Sometimes We Cry
Baby Please Don’t Go/Don’t Start Cryin/Got My Mojo Workin
Days Like This
Broken Record
I Believe to My Soul
Symphony Sid
I Can Tell
Think Twice Before You go
Carrying an Torch
Vanlose Stairway
I Can’t Stop Loving You
In the Afternoon/Ancient Highway/Burnin Ground
The Party’s Over
Whenever God Shines His Light
Help Me
Brown Eyed Girl

24-June-2018
Isle of Wight Festival
Newport, England

22-June-2018
Azkena Rock Festival
Azkena, Spain

07-May-2018
Millennium Forum
Derry, Northern Ireland

Brendan check's in with night 2 from Derry
The first five songs performed tonight were identical to those at the concert the night before and as Van then strapped on his electric guitar he suddenly became quite chatty and announced that as the audience might have guessed by now this was the blues and jazz set before he ran through a brief summary of the songs already performed. Automobile Blues which followed was well delivered and featured fine guitar and organ solos by Dave Keary and Paul Moran respectively. How Far From God followed and was really good once more while Sometimes We Cry was very strong with the additional feature of a brief vocal exchange between Van and an audience member who shouted down from the balcony which culminated with Van explaining to him that the song was about Johnny Ray. Have I Told You Lately (fast version) and the Baby Please Don't Go medley raised the tempo before another fine rendition of I Believe To My Soul. Did Ye Get Healed was terrific once again while Saint James Infirmary was well delivered and received. When introducing The Party's Over,Van said it is off the Versatile album and asked if the audience had heard of it and that it is in the jazz charts before going on to say that they used to do comedy but this is serious!In The Afternoon was really good once more while it lasted but is was a somewhat shortened version apparently to make way for the rather surprising inclusion of Brown Eyed Girl given Van's earlier comment about the type of set being performed tonight. This was the final song of the main set but Van did return for an encore of Gloria which included a rather comical moment when Van was ready to depart but realised his mobile microphone wasn't on stage after looking everywhere for it while Dana Masters peered anxiously over the top of her own microphone stand as if she was hoping that it would somehow magically appear and the crisis would pass. Mercifully the missing microphone was swiftfully delivered on stage and it's brief absence didn't hinder Van's rather premature departure after a mere 79 minutes on stage. Even the band's extended solos didn't stretch the set time beyond a rather meagre 85 minutes. Precious time was clearly ticking away!

This show and the previous few jazz shows by Van have seen him pay homage to a number of the jazz and blues artists who influenced him initially and set him on his musical path. He has journeyed on that path with great distinction over the following years to such an extent that the vast majority of the rather limited number of his own compositions included in recent jazz sets have shone like a beacon when performed alongside the old standards and in my view represent the achievement of even higher levels of musical excellence by Van to those reached by the revered artists to whom he clearly feels indebted musically.
-Brendan Hynes

Setlist
Hold It Right There
The Way Young Lovers Do
Let's Get Lost
Magic Time
Symphony Sid
Brand New Automobile
How Far From God
Sometimes We Cry
Have I Told You Lately
Baby Please Don't Go/Don't Start Crying Now/Got My Mojo Working
I Believe To My Soul
Did Ye Get Healed
Saint James Infirmary
The Party's Over
In The Afternoon
Brown Eyed Girl
Gloria

Set Time 1h 25m

03-May-2018
Cheltenham Jazz Festival
Cheltenham, England

Brendan Hynes was at the gig
Van Morrison certainly indulged his jazz influences tonight with somewhat of a jazz overload as three of the songs played feature on the new You're Driving Me Crazy album and no less than five on the previous album Versatile. The show opened as usual with Hold It Right There featuring Paul Moran on trumpet extensively. Paul also featured prominently on the following The Way Young Lovers Do as he alternated feverishly between piano and trumpet as he has evidently not yet perfected the art of playing both instruments simultaneously. Let's Get Lost was the first of the Versatile songs performed and was followed by a real Van favourite in Magic Time. Symphony Sid featured Dana Masters on vocals and was followed by the instrumental Affirmation which to me sounded much better live than on record and while it is quite basic it has that unmistakable Van instrumental sound at it's core.How Far From God livened proceedings considerably before we were treated to the wonderful Wild Honey. Moondance was notable for the audience ovation for Teena Lyle after a fine vibraphone solo which proved that she is not just big in Las Vegas. I Believe To My Soul was very strong and featured Dave Keary prominently on guitar while Saint James Infirmary featured Paul Moran extensively on organ throughout (except when he was playing trumpet when obviously the organ playing stopped). Did Ye Get Healed was a welcome inclusion and was really good with great organ and guitar solos while Dana sang "it's getting better and better" over and over as Van brought the song towards it's conclusion.After I Get A Kick Out of You represented yet another Versatile track it was time once more to fasten our seatbelts as Van took us on a journey down the ancient highway In The Afternoon and then high on a hill looking down on the ancient highway.The female backing vocals were great during this song and crystal clear.Broken Record brought us rapidly back down to earth while The Party's Over was a pretty uninspired song choice to follow. When Help Me followed one knew the end was nigh and I fully expected to hear the usual " big hand for the band" from Van but instead he concluded the song and went straight into a most welcome Ballerina which went down a storm.As Van departed the stage he hung in the wings for quite a while still singing before finally Paul Moran's booming voice announced "Sir Van Morrison" over and over while Van made his departure and he did not return. The band went into overdrive at this stage with Dana on vocals and Paul Moore with an extended bass solo dead heating for first place based on the audience reaction.
-Brendan Hynes

Set List
Hold It Right There (Wait A Minute Baby)
The Way Young Lovers Do
Let's Get Lost
Magic Time
Symphony Sid
Affirmation
How Far From God
Wild Honey
Moondance
I Believe To My Soul
Saint James Infirmary
Did Ye Get Healed
I Get A Kick Out Of You
In The Afternoon
Broken Record
The Party's Over
Help Me
Ballerina

Set Time 1h 38m

21-April-2018
Subturania
London, England

Setlist
You’re Driving Me Crazy
Hold It Right There (Wait A Minute Baby)
Miss Otis Regrets
Things I Used to Do
Magic Time
Centerpiece/Times Gettin' Tougher/Everyday I Have the Blues
Young Lovers Do
Have I Told You Lately
Teardrops on my Pillow
Close Enough for Jazz
Foggy Day in London Town
Moondance
Broken Record

Big Hand For The Band!
Joey DeFrancesco (Organ)
Dan Wilson – guitar
Troy Roberts – tenor saxophone
Michael Ode – drums
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

20-April-2018
Subturania
London, England

Brendan checks in with Night 2:
Night two of the three night stint at Subturania followed the pattern of the previous night in that the material was drawn almost entirely from the new album. After opening with You're Driving Me Crazy and Hold It Right There (which saw Van lead the clapping along to extended guitar and saxophone solos) Van introduced Miss Otis Regrets as a song written by Cole Porter for a bet. A deviation from the previous night saw When Shadows Fall performed and this was a real highlight with Joey excelling on piano and organ. Magic Time was a slightly slower version than usual and featured an extended trumpet solo by Joey while the guitarist's excellent solo drew applause from Van. The song ended with Van performing a saxophone solo with great exuberance as his legs pumped furiously. Close enough For Jazz featured some scatting by Van while All Saints Day featured great organ by Joey and was much superior to the previous night's version.Travellin' Light geatured great saxophone and guitar solos while Joey's organ solo pleased Van greatly. The Things I Used To Do/Got My Eyes On You /Dimples medley included a harmonica solo by Van and got the "one more time" treatment. The slow blues which followed consisted as far as I can ascertain of Teardrops On My Pillow/Broken Hearted Blues(correct answers on a postcard please) and included a wonderful guitar solo followed by a saxaphone solo which drew plenty of "yeah"s from Van. There was also a humorous exchange between Joey and Van after Van sang"if I had ten million dollars I would give her every dime" with Joey saying "oh yeah?" to which Van immediately retorted "not really!". Van introduced Money's Getting Cheaper as a Jimmy Witherspoon track he had recorded himself back in 1966 and this was really good. Dana Masters got a nice audience ovation for her vocals on the fast version of Have I Told You Lately and Moondance brought the show towards its end but with Van returning for an encore of Centrepiece/Every Day I Have The Blues before thanking Joey and asking for a "big hand for the band"followed by "big hand for the ladies" directed towards Teena Lyle and Dana Masters.

The level of performance by the musicians on stage was at the virtuoso level with all looking very relaxed and comfortable and given considerable latitude by Van to stretch out and display their considerable talents during extended solos.Van once more seemed to really enjoy himself greatly with plenty of smiles and laughs and humorous interplay with Joey.
-Brendan Hynes

Set List
You're Driving Me Crazy
Hold It Right There(Wait A Minute Baby)
Miss Otis Regrets
When Shadows Fall
Magic Time
Close Enough For Jazz
All Saints Day
Travellin' Light
The Things I Used To Do/Got My Eyes On You/Dimples
Teardrops On My Pillow/Broken Hearted Blues
Money's Getting Cheaper
Have I Told You Lately
Moondance/My Funny Valentine
Centrepiece/Every Day I Have The Blues

Set Time 1h 28m

Big Hand For The Band!
Joey DeFrancesco (Organ)
Dan Wilson – guitar
Troy Roberts – tenor saxophone
Michael Ode – drums
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)

19-April-2018
Subturania
London, England

Brendan Hynes checks in with review of Subturania night 1:
The joint billing for this show was a clear indication that it would draw heavily from the forthcoming album and be very jazz orientated and so it proved as Van advised at the outset that they would be showcasing songs from the new album You're Driving Me Crazy out on 27th April 2018.

After opening with the album title track Van announced the next song as Hold It (full title Hold It Right There) which seems to be exactly the same song as Wait A Minute Baby which Van has performed regularly in recent times.Strange but true! Miss Otis Regrets was the first real highlight and featured a great trumpet solo by the multi talented Joey De Francesco. Things I Used To Do again featured Joey prominently with a brilliant organ solo which prompted Van to lead an audience clap along which continued through great sax and guitar solos by Joey's musicians.

It was the fifth song in before we got a Van original in the form of Magic Time which included a fine trumpet solo by Joey.Close Enough For Jazz saw Van do some scatting with Joey replicating the sounds on organ.Travelling Light was followed by the fast version of Have I Told You Lately which saw Dana Masters get some of the limelight on vocals.The version of the somewhat biographical Goldfish Bowl was particularly good and a great organ solo was applauded by Van who then exclaimed"there's Joey!" before giving the "one more time" instruction towards the song's ending to show that he was really into it.This song got a great crowd reaction.The Way Young Lovers Do featured really good extended organ,guitar and flugelhorn solos and was one of the main highlights. Centrepiece moved into Every Day I Got The Blues before All Saints Day and Moondance/My Funny Valentine brought the show to a conclusion after a relatively short set time of 1h 24m. Joey and the band remained on stage for a while as if expecting Van to return but he was nowhere to be seen.

This show was far removed from a standard Van show and would be appreciated most by those who are jazz fans.The quality of musicianship was of an extremely high level throughout and Van seemed particularly enthused by the playing of the saxaphone player which perhaps might prompt Van to restore the brass section to his own band where the absence of same has left a definite void.Van was very animated throughout the show and clearly enjoying the musical collaboration.
-Brendan Hynes

Setlist (Thanks Michael S.)
You’re Driving Me Crazy
Hold It Right There
Miss Otis Regrets
Things I Used to Do/Got My Eyes On You/Dimples
Magic Time
Close Enough for Jazz
Travelin' Light
Have I Told You
Goldfish Bowl
Young Lovers
/Centerpiece/Everyday I Have The Blues
All Saints Day
Moondance

Big Hand For The Band!
Joey DeFrancesco (Organ)
Dan Wilson – guitar
Troy Roberts – tenor saxophone
Michael Ode – drums
Teena Lyle (Percussion, Vocals)
Dana Masters (Vocals)