Monday, August 28, 2023

26-August-2023
The New Irish Centre

 Birmingham, England

Setlist
Streamline Train
Sail Away Ladies
Careless Love
I Wish I Was An Apple On A Tree
Yonder Comes a Sucker
This Lovin' Light of Mine
In The Evening (When The Sun Goes Down)
Stormy Monday
I'm So Lonesome I Could Cry
Gov Don't Allow
Greenback Dollar
The Gypsy Davy
Come On In
No Other Baby
Cotton Fields
Precious Time
Cold, Cold Heart
It's All Over Now, Baby Blue
Green Green Rocky Road/Northern Muse
Stand By Me
Gloria

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
John McCullough (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Tony Fitzgibbon (Fiddle)
Colin Griffin (Drums)
Chris Farlowe (Vocals)
Ronnie Wood (Guitar)
Lucia Evans (Vocals)

Sunday, August 27, 2023

25-August-2023
Royal Sandringham Estate

 Sandringham, England


Setlist
Streamline Train
Sail Away Ladies
Yonder Comes a Sucker
I Wish I Was An Apple On A Tree
Travellin' Blues
No Other Baby
The Gypsy Davy
This Lovin' Light of Mine
In The Evening (When The Sun Goes Down)
Greenback Dollar
Gov Don't Allow
Come On In
Cold, Cold Heart
Cotton Fields
Green Green Rocky Road
Days Like This
Precious Time
Baby, Please Don't Go
It's All Over Now, Baby Blue
Worried Man Blues
Stand By Me
Gloria

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
John McCullough (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Tony Fitzgibbon (Fiddle)
Colin Griffin (Drums)
Chris Farlowe (Vocals)
Lucia Evans (Vocals)

Friday, June 09, 2023

22-May-2023
Falkoner Center

 Copenhagen, Denmark

                                        
Setlist
Streamline Train
Sail Away Ladies
Yonder Comes a Sucker
Travellin' Blues
Take This Hammer
I Wish I Was An Apple On A Tree
I'm So Lonesome I Could Cry
Careless Love
Freight Train
In The Evening (When The Sun Goes Down)
The Streamlined Cannonball
Cold, Cold Heart
Greenback Dollar
Come On In
Gov Don't Allow
Cotton Fields
No Other Baby
The Gypsy Davy
Green Green Rocky Road
Worried Man Blues

21-May-2023
Falkoner Center

 Copenhagen, Denmark
                    
Setlist
Streamline Train
Sail Away Ladies
Yonder Comes a Sucker
Travellin' Blues
Take This Hammer
I Wish I Was An Apple On A Tree
Careless Love
I'm So Lonesome I Could Cry
Greenback Dollar
Come On In
No Other Baby
Gov Don't Allow
Cold, Cold Heart
Cotton Fields
The Gypsy Davy
I'm Movin' Onn
Freight Train
Oh Lonesome Me
Freight Train
Green Green Rocky Road
Worried Man Blues

Tuesday, March 14, 2023

13-March-2023
Stables Theatre

 Wavendon, England
Photo: Mathew Jeffrey
                                              
Setlist
Freight Train
I'm So Lonesome I Could Cry
Sail Away Ladies
In the Evening (When the Sun Goes Down) 
Oh Lonesome Me
Take This Hammer
Careless Love
Streamline Train
Gov Don't Allow
No Other Baby
Yonder Comes a Sucker
Come On In
The Gypsy Davy
Cold, Cold Heart
Travellin' Blues
Cotton Fields
Green Green Rocky Road
Worried Man Blues

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Stuart McIlroy (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Colin Griffin (Drums)
Crawford Bell (Guitar, Trumpet & Vocals)
Jolene O'Hara (Vocals)

Thursday, March 02, 2023

28-February-2023
3Olympia Theatre

 Dublin, Ireland
Setlist
Freight Train
Sail Away Ladies
In the Evening (When the Sun Goes Down) 
I'm So Lonesome I Could Cry
Gov Don't Allow
Take This Hammer
I Wish I Was An Apple Tree
Careless Love
Oh Lonesome Me
Streamline Train
Come On In
No Other Baby
I'm Movin' On
Travellin' Blues
Yonder Comes a Sucker
The Gypsy Davy
Cold, Cold Heart
This Little Light of Mine
Cotton Fields
Green Green Rocky Road
Worried Man Blues

Tuesday, February 28, 2023

27-February-2023
3Olympia Theatre

 Dublin, Ireland

Setlist

Freight Train
Sail Away Ladies
In the Evening (When the Sun Goes Down) 
I'm So Lonesome I Could Cry
Gov Don't Allow
Take This Hammer
I Wish I Was An Apple Tree
Careless Love
Oh Lonesome Me
Streamline Train
Come On In
No Other Baby
I'm Movin' On
Travellin' Blues
Yonder Comes a Sucker
The Gypsy Davy
Cold, Cold Heart
This Little Light of Mine
Cotton Fields
Green Green Rocky Road
Worried Man Blues

Tuesday, January 24, 2023

23-January-2023
Europa Hotel

 Belfast, Northern Ireland

Setlist 
Freight Train 
Sail Away Ladies 
In The Evening (When The Sun Goes Down) 
I’m So Lonesome I Could Cry 
Mama Don’t Allow (re-worked as Gov Don’t Allow) 
Take This Hammer 
I Wish I Was An Apple On A Tree 
Travellin’ Blues 
Oh Lonesome Me
Come On In 
No Other Baby
I’m Movin’ On 
Cold Cold Heart 
Careless Love
Yonder Comes A Sucker 
This Loving Light Of Mine 
Cotton Fields 
Green Rocky Road 
Streamline Train
Worried Man Blues

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Richard Dunn (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Colin Griffin (Drums)
Crawford Bell (Guitar, Trumpet & Vocals)
Jolene O'Hara (Vocals)

Monday, January 23, 2023

22-January-2023
Europa Hotel

 Belfast, Northern Ireland



Setlist 
Freight Train 
Sail Away Ladies 
In The Evening (When The Sun Goes Down) 
I’m So Lonesome I Could Cry 
Mama Don’t Allow (re-worked as Gov Don’t Allow) 
Take This Hammer 
I Wish I Was An Apple On A Tree 
Careless Love 
Streamline Train 
Come On In 
No Other Baby
I’m Movin’ On 
Travellin’ Blues 
Yonder Comes A Sucker 
The Gypsy Davy 
Cold Cold Heart 
This Loving Light Of Mine 
Cotton Fields 
Green Rocky Road 
Worried Man Blues

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Richard Dunn (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Colin Griffin (Drums)
Crawford Bell (Guitar, Trumpet & Vocals)
Jolene O'Hara (Vocals)

Saturday, January 21, 2023

15-January-2023
Electric Ballroom

 London, England
Setlist (Thanks Pam K.)
Freight Train 
Sail Away Ladies 
In The Evening (When The Sun Goes Down) 
I’m So Lonesome I Could Cry 
Mama Don’t Allow (re-worked as Gov Don’t Allow) 
Take This Hammer 
 I Wish I Was An Apple On A Tree 
Oh, Lonesome Me 
Streamline Train 
Come On In 
No Other Baby
I’m Movin’ On 
Yonder Comes A Sucker 
The Gypsy Davy 
Travellin’ Blues 
Cold Cold Heart 
This Loving Light Of Mine 
Cotton Fields 
Green Rocky Road 
Worried Man Blues

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Richard Dunn (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Colin Griffin (Drums)
Crawford Bell (Guitar, Trumpet & Vocals)
Dana Masters (Vocals)

Saturday, January 14, 2023

14-January-2023
Electric Ballroom

 London, England
Brighton & Hove News (Source) 

VAN MORRISON – ELECTRIC BALLROOM, LONDON 14.1.23
 
Tonight’s show is no normal Van Morrison gig, and it’s status as not being such has been widely publicised. For tonight’s show at the Electric Ballroom (184 Camden High Street, London, NW1 8QP) is one of a number of intimate low-key launch shows for Van’s new album, ‘Moving On Skiffle’, which is released on 10th March. This album (and indeed tonight’s show) finds Van taking the 1950s skiffle style and interpreting it with a degree of soul and sophistication that it rarely had the first time around. Tonight’s show very much represents Van returning to his musical roots. 

This isn’t just a different kind of gig for Van. As a veteran of many gigs at this venue for over twenty years, I can confirm that this is the first time that I have seen the place configured as a seated venue. I’m not sure how many tickets were available for this sold out show, but it’s considerably less than the venue’s usual 1,500 capacity. The areas around the bars are very sparsely populated. Getting a drink here has never been so easy!!! 

The band take the stage and begin playing ‘Freight Train’, an Elizabeth Cotton cover that I remember my mother singing when I was small. Van joins the band onstage a minute or two later, after being announced by his guitarist, precisely at 8pm, as advertised. Almost immediately Van demonstrates that he is so much more than just a singer, as he blows a mean harmonica solo. The band is beyond well drilled. Including Van there are eight of them. Van does introduce them later on, but his introductions are drowned out by applause. The only name I catch is Sticky Wicket on percussion. I somehow doubt that is the name his parents gave him. In addition to the band there is also a man who changes the music on Van’s music stand after most songs. 

One of the road crew later tells me that the band don’t have set-lists. They have rehearsed a large number of songs, and Van decides after each song what is going to be played next. This is quite astonishing, and only goes to show how well rehearsed the band are. By and large there is barely breathing space between the songs, with Van keeping the tempo of the show decidedly brisk. At one point after Van has decided on the next song, there is much frenzied changing of instruments onstage. Talk about being kept on your toes! Van seems incredibly relaxed throughout. Well he would be: he’s calling the shots! 

Van clearly has a band of virtuosos here. The guitarist also plays a lap steel on a stand. On ‘Come On In’ the rhythm guitarist plays a trumpet with a mute. This is before we consider what Van plays. As well as harp he plays electric guitar, acoustic guitar (on which he solos), and some really quite incredible saxophone as well. Van is very much the bandleader, and all eyes are on him. On ‘Take This Hammer’, which Van tells us is a Lead Belly cover, he conducts the band at the beginning of the song. However, when the various band members take their solos, Van shuns the spotlight. Well, until it’s time for him to take his harp solo! 

Van’s voice remains a wonderful musical instrument. It’s rich and powerful, but can be tender too. Apart from having become slightly deeper than before, his voice has hardly changed over the decades, which is more than can be said for some of his contemporaries, one of whom I saw recently could now barely carry a tune in a bucket. Van’s vocal cords appear to have many miles left in them yet! 

Tonight’s show has been wonderful. As far as I’m aware the set has been almost made up entirely of covers from sixty or seventy years ago, but they’ve all been played in very much a Van Morrison style. At the end of the show there are some people moaning that there has been no ‘Moondance’, ‘Cleaning Windows’,’ Into The Mystic’ or ‘Gloria’. Well more fool them! They should have done their homework. This has been an absolute masterclass in terms of both singing and playing, and quite frankly, if you can’t enjoy a show like this, then you don’t really enjoy music. 
-Mark Kelly 

Van Morrison review — Van the Man triumphantly returns to his first love Electric Ballroom, NW1 

★★★★★ 
I’m not sure I’ve seen him this happy. OK, he wasn’t smiling — don’t be ridiculous — and he hardly threw himself around. He’s three years off 80 and his days of onstage high-kicking are behind him. Yet there was an undeniable joy in the way Van Morrison attacked this intimate preview of Moving on Skiffle, the covers album he releases in March. Skiffle — that raw, shimmying offshoot of folk that peaked in the UK in the Fifties — is one of his first loves. He first heard it as a child at the Atlantic Records shop in Belfast and formed a skiffle band at school with “a couple of guitars, washboard, tea-chest bass” 

Read on here.

 Setlist (Album Launch For Moving On Skiffle)
Freight Train  
Streamlined Cannonball
In the Evening When the Sun Goes Down 
I’m So Lonesome I Could Cry 
Gov Don't Allow 
Take This Hammer 
I Wish Was an Apple on a Tree 
Careless Love 
Streamline Train 
Come On In 
No Other Baby 
Greenback Dollar 
I’m Movin’ On 
Travellin' Blues
Yonder Comes a Sucker 
Gypsy Davy 
Green Rocky Road 
Cotton Fields 
Worried Man Blues 
This Loving Light of Mine

Big Hand for The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Richard Dunn (Keyboards)
Alan 'Sticky' Wicket (Percussion)
Colin Griffin (Drums)
Crawford Bell (Guitar, Trumpet & Vocals)
Dana Masters (Vocals)

Monday, December 05, 2022

04-December-2022
Europa Hotel

 Belfast, Northern Ireland


Setlist
 (
Thanks Brenden Hynes)
Dangerous 
Thank God For The Blues/ Keep Mediocrity At Bay 
Streamline Train 
Days Like This 
Baby Please Don't Go/ Don't Start Crying Now 
Think Twice Before You Go 
Early In The Morning 
Precious Time 
Ain't Gonna Moan No More 
Magic Time 
Have I Told You Lately
Little Village 
Send You Back To Where I Got You From 
Symphony Sid 
Wild Night 
Jackie Wilson Said 
Down To Joy 
Help Me 
Gloria

Set Time 1h 28m
(Van on stage 1 h 20m)

Big Hand for The Band!
Chris White (Saxophone)
Dave Keary (Guitar)
Paul Moore (Bass)
Dave Keary (Guitar)
Gary Sanctuary (Keyboards)
Teena Lyle (Percussion)
Darren Beckett (Drums)
Elle Cato (Vocals)

Sunday, October 09, 2022

08-October-2022
The Colosseum Caesars Palace
Las Vegas, USA


Setlist 
Dangerous 
Thank God For The Blues
Keep Mediocrity at Bay
Can't Go On This Way 
Days Like This 
Broken Record 
Satisfied 
Baby Please Don't Go/I Got My Mojo Working 
I'm Going Down To The River 
Laughin' & Clownin' 
Wild Night
Dweller On The Threshold
Carrying A Torch
The New Symphony Sid
The Healing Game
Jackie Wilson Said
Precious Time
Ballerina
Down To Joy 
In The Garden

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
John Allair (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

Saturday, October 08, 2022

07-October-2022
The Colosseum Caesars Palace
Las Vegas, USA


Setlist 
Dangerous 
Thank God For The Blues
Keep Mediocrity at Bay
Can't Go On This Way 
Days Like This 
Did Ye Get Healed? 
Raincheck 
Baby Please Don't Go/I Got My Mojo Working 
I'm Going Down To The River 
Hello Josephine 
Precious Time 
Laughin' & Clownin' 
Early In The Morning
The Healing Game 
She Gives Me Religion 
Across The Bridge Where Angels Dwell 
Dweller On The Threshold 
Down To Joy 
In The Garden

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
John Allair (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

Thursday, September 08, 2022

07-September-2022
Wolf Trap

Vienna, USA


Setlist 
Dangerous 
Thank God for the Blues 
Stage Name 
Days Like This 
Have I Told You Lately 
Raincheck 
Dweller on the Threshold 
I've Been Working 
Somebody Have Mercy 
You're Driving Me Crazy 
Laughin' and Clownin' 
Early in the Mornin' 
Baby, Please Don't Go/Got My Mo-Jo Working 
Think Twice Before You Go 
The New Symphony Sid 
I Just Want to Make Love to You 
Down to Joy 
Help Me 
Brown Eyed Girl 
Gloria

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
Brian Byrne (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

Monday, September 05, 2022

04-September-2022
Koussevitzky Music Shed

Lenox, USA
Boston Globe (Source)
LENOX — On Sunday night, Van Morrison had the yips. Like, the literal yips. Leading his unimpeachable nine-piece band on the stage of the music shed at Tanglewood, midway through the set he punctuated a cover of Sonny Boy Williamson’s “Early in the Morning” with a staccato vocal that consisted solely of several “yips.” 

At 77, the Belfast native can still wring some real elation out of his instrument — his voice. At Tanglewood, his peak moments often came not in the lyrical gold of his own catalog but the wordless pleasure he takes in bopping the old songs that still make him tick. “Shoo bop shoo bop,” he sang on “Travellin’ Light,” a song with lyrics that Johnny Mercer wrote for Billie Holiday in 1942. 

“A-a-a-a-a-a-h!” he blurted a little later, emulating the wobble of the Hammond B-3 organ as he directed his gaze at his keyboardist. Those seem to be the moments that keep Morrison onstage. Most singers would have a hard time suppressing their joy when they hit on an inspiration. Opening act James Hunter certainly grinned broadly when he returned to the stage to sing with the headliner, duetting on Sam Cooke’s “Somebody Have Mercy.” 

But Morrison keeps his emotions under his natty hat. Inscrutable behind his aviator shades, he led his band with an iron fist, punching it in the direction of a soloist when their turn arrived. Once or twice he made a little bursting motion for rhythmic emphasis. His disdain for playing the hits has been well documented. On Sunday, the band played “Jackie Wilson Said” — ting a ling a ling, ting a ling a ling — and sent the sold-out crowd home with what they came for, an obligatory “Brown Eyed Girl” and an incessant “Gloria.” 

But those weren’t the tunes that got him through the night. He opened with “Dangerous,” a recent grievance song (“Somebody said I was dangerous/I must be gettin’ close to the truth”) and another COVID-era original, “Thank God for the Blues.” “Days Like This” felt tossed off, but it put Morrison’s saxophone in his hands, clearing the way for him and the band to segue into a swinging version of “Have I Told You Lately.” The lounge-y arrangements of that and “You’re Driving Me Crazy,” another old standard (1930!), let him stand apart from the band as surely as his white suit contrasted with their all-black wardrobe. 

The latter was the title song of Morrison’s 2018 collaboration with the organist Joey DeFrancesco. Standing at his golden microphone, Morrison paid tribute to the keyboardist, who died in August at age 51. 

As standoffish as he can seem, paying tribute suits him. He sang through his harmonica on “Baby Please Don’t Go,” the blues traditional that gave Morrison his first hit with his youthful band Them. Then he mashed that one up with “Got My Mojo Working.” But the high point might have come halfway through the set, when Morrison doubled down on the Labor Day weekend theme with “I’ve Been Working,” his own song from the 1970 album “His Band and the Street Choir.” 

How many times in a row can he bang on the word “woman,” or the ad-lib “all right”? The answer is, as many times as he’s feeling it. It’s his job. He’s very good at it. If it thrills him, he’s not about to let on. 
-James Sullivan

Setlist
Dangerous
Thank God For The Blues 
Keep Mediocrity At Bay 
Stage Name 
Days Like This
Have I Told You Lately (w/Elle Cato)
Baby Please Don't Go/Got My Mojo Working 
Think Twice Before You Go
Somebody Have Mercy (w/James Hunter)
Dweller On The Threshold 
I've Been Working 
You're Driving Me Crazy (For Joey DeFrancesco) 
Raincheck  
Laughing & Clowning 
Early In The Morning (Just About The Break of Day) 
Travelin' Light 
Jackie Wilson Said 
Down To Joy 
Help Me (w/James Hunter) 
Brown Eyed Girl 
Gloria (w/James Hunter)

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
Brian Byrne (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

03-September-2022
Leader Bank Pavillion

 Boston, USA



Music News (Source)
One of the most legendary natives of Belfast, Ireland, Van Morrison has lived one of the most-storied careers in all of rock history. From the magical days in the '60s when he fronted the blues-pop ensemble, Them, Morrison's pipes are one of the most instantly recognizable ever.

Morrison performed to a near sold-out audience at the Leader Bank Pavillion in Boston, Massachusetts on September 3, 2022. 

While his voice is always in top form, Morrison sounded spectacular on the opening cuts of newer material such as "Dangerous" (from 2022's "What's It Gonna Take?" album), and "Thank God For The Blues" (lifted from 2021's "Latest Record Project, Volume 1"). 

Never shy about going deep into his catalog, Morrison did a beautiful rendition of "Precious Time" (from his criminally underrated 1999 disc, "Back On Top"). He also created some amazing blues moments at the Pavillion, during both an interpretation of Sonny Boy Williamson's "Tell Me" and a medley of "Baby, Please Don't Go"/"Got My Mojo Working", when Morrison played his most impressive harmonica work of the night. Sandwiched in between the blues numbers, Morrison gave a nod to the Motown sound, with a rollicking take of Barrett Strong's "Money (That's What I Want)". 

Morrison threw out a tasteful cover of John Lee Hooker's "Think Twice Before You Go", followed by a most surprising song choice in honor of recently-deceased jazz multi-instrumentalist, Joey DeFrancesco, whom Morrison had played with. He performed "You're Driving Me Crazy" (written in the '30s, the song was made popular by Guy Lombardo and His Royal Canadians). 

Except for moments as when he dedicated the song to DeFrancesco, Morrison kept the between-song chatter to a minimum. 

While he did not join him onstage, Peter Wolf (lead singer of The J. Geils Band) was spotted in the Pavillion during the evening. Not surprising, as the two have had a decades-long friendship going back to when Morrison resided in Harvard Square in Cambridge, Massachusetts during the late '60s. 

After the spiritually-inspired "In the Garden" and "Down to Joy", which was most recently featured in the 2021 film, "Belfast", Morrison's set really caught fire. Beginning with a raucous "Wild Night" and an outstanding interpretation of Sonny Boy Williamson's blues classic, "Help Me", Morrison concluded the show with his iconic "Brown Eyed Girl", followed by an epic version of "Gloria". 

While "Gloria" was penned by Morrison during his time in Them, it was The Shadows of Knight who recorded the most popular version of the song, which cracked the Top-10 in 1966. Sadly, The Shadows of Knight's lead vocalist, Jimy Sohms, passed away last month. Although Morrison never said a word about his death (being a man of few words), it very well may have been his unspoken tribute to Sohms. 

Morrison left the stage during "Gloria" and his phenomenal nine-piece-backing band continued to jam on "Gloria" for nearly another 10 minutes, each taking brief solos on their respective instruments. And while the crowd seemingly expected Morrison to return at some point, he never did. So, when the jam ended, the concert did as well. 
-John Reed

Setlist 
Dangerous
Thank God For The Blurs 
Stage Name 
Days Like This 
Think Twice Before You Go
Raincheck 
Precious Time 
Tell Me (Have Mercy Baby?) 
Money 
Baby Please Don't Go /Got My Mojo Working
These Dreams Of You 
You’re Drivin' Me Crazy (For Joey DeFrancesco)
I’ve Been Workin' 
Dweller on the Threshold 
In The Garden 
Down To Joy 
Wild Night 
Help Me 
Brown Eyed Girl 
Gloria

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
Brian Byrne (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

Friday, September 02, 2022

01-September-2022
Hartford HealthCare Amphitheater

 Bridgeport, USA


Setlist (Thanks Art S.)
Dangerous 
Thank God For The Blues/
Keep Mediocrity at Bay 
Up County Down 
Days Like This 
Baby Please Don't Go/Got My Mojo Working 
Think Twice Before You Go 
Precious Time Money (with James Hunter) 
Baby what You Want Me To Do (with James Hunter) 
Dweller On The Threshold 
I've Been Working 
Have I Told You Lately (with Elle Cato) 
Raincheck 
Early In The Morning (Just About The Break of Day) 
Laughing & Clowning 
Jackie Wilson Said 
Wild Night 
Down To Joy 
Help Me (with James Hunter) 
Brown Eyed Girl
Gloria (with James Hunter)

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet)
Dave Keary (Guitar)
John Platania (Guitar)
David Hayes (Bass)
Teena Lyle (Percussion)
Brian Byrne (Organ)
Elle Cato (Vocals) 
Bobby Ruggiero (Drums)

Tuesday, June 28, 2022

28-June-2022
Cork Opera House
Cork, Ireland
 

                                                        via Othmar M.

Brendan Hynes sent in his thoughts on 2nd Cork gig:
Van Morrison got the second of his two shows at this nice intimate venue underway with an extended and somewhat funked up arrangement of Dangerous on which the band excelled. The one missing ingredient was the driving fiddle playing which is so prominent on the recorded version. Thank God for the Blues was sung with great gusto by Van and was followed by Pretending from the new album. Days Like This brought the show into more mainstream territory and was followed by a really good These Dreams Of You on which Matt Holland on trumpet and Chris White on saxophone excelled. Higher Than The World was quite superb and brought proceedings to an exalted level commensurate with the song title. Centrepiece was much more interesting than many previous versions I have heard largely due to the impact of the brass section. What a wise decision it was by Van to restore the brass section as it certainly complements his music hugely and adds considerably to the overall band sound. 

Got My Mojo Working was particularly notable for an extended harmonica note which Van held for what seemed like an eternity much to the amusement of some band members. I had visions of Van turning blue in the face from the lack of oxygen intake which would have been an interesting sight as it would have perfectly matched the colour of his now infamous blue suit. Think Twice Before You Go followed immediately afterwards much to the excitement of the audience who clapped along furiously as the song commenced. Laughin' and Clownin' reached heights I have rarely heard before and featured great solos from Richard Dunn on organ and Chris White on saxophone in particular. Precious Time was followed by the rarely played Steal Your Heart Away which was a welcome addition. Enlightenment and Magic Time followed in quick succession after which there was an audience request for The Healing Game which was quickly dismissed by Van who instead shouted " Wild Night" to the band. This didn't really qualify as a consolation prize in my view and a separate audience request for Streets of Arklow did not find favour either with Van so both of the musical gems requested were not unearthed on this occasion . 

Ain't Gonna Moan No More featured Dave Keary prominently on guitar while Jackie Wilson Said saw Van and the brass section combine instrumentally to great effect. Down to Joy indicated that the end was approaching but not before Van took us on an all so welcome journey Into The Mystic. 

The encore consisted of Help Me and Gloria with the latter once more providing the band with the latitude to cut loose after Van had departed. Chris White's extended saxaphone solo drew lots of whistles and shouts of acclaim from the audience.Matt Holland showed how quickly he has settled back into the band as he went off on a bit of a solo run on trumpet which included excerpts from Deep Purple's Smoke On The Water and Cream's Sunshine Of Your Love. Not to be outdone, Teena Lyle's solo consisted of a xylophone rendition of Crazy Love. Elle Cato of course nearly blew the roof off the Opera House with her brilliant vocal contribution. The Gloria jam session has now become a small sideshow in it's own right. 

Van's vocals were really strong throughout and the band are playing at a level considerably above what I have heard in recent years. It is disappointing however that the meditative workshop numbers in which Van totally immerses himself and which his dedicated fans love so much are largely absent from his shows of late as was the case again tonight. 
-Brendan Hynes

Setlist 
Dangerous 
Thank God For The Blues 
Pretending 
Days Like This 
These Dreams Of You 
Higher Than The World 
Centrepiece 
Baby Please Don't Go/ Got My Mojo Working 
Think Twice Before You Go 
Laughin' and Clownin' 
Precious Time 
Steal My Heart Away 
Enlightenment 
Magic Time 
Wild Night 
Ain't Gonna Moan No More 
Jackie Wilson Said 
Down To Joy 
Celtic Excavation/ Into The Mystic 
Help Me 
Gloria 

Set Time 1h 45m 
Van on stage 1h 34m

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet) 
Dave Keary (Guitar)
Paul Moore (Bass)
Teena Lyle (Keyboards)
Richard Dunn (Organ)
Colin Griffin (Drums)
Elle Cato (Vocals) 

Monday, June 27, 2022

27-June-2022
Cork Opera House
Cork, Ireland
 


Setlist (Thanks Brendan Hynes) 
Dangerous 
Thank God For The Blues 
My Time After A While 
Pretending 
Stage Name 
Days Like This 
Higher Than The World 
Baby Please Don't Go/ Got 
My Mojo Working 
Think Twice Before You Go 
Laughin' And Clownin' 
Symphony Sid 
Magic Time 
Broken Record 
Cleaning Windows 
In The Afternoon 
Jackie Wilson Said 
Down To Joy 
Precious Time 
Celtic Excavation/ Into The Mystic 
Help Me 
Gloria 

Set Time 1h 50m
Van on stage 1h 36m

Big Hand for The Band!
Chris White (Saxophone)
Matt Holland (Trumpet) 
Dave Keary (Guitar)
Paul Moore (Bass)
Teena Lyle (Keyboards)
Richard Dunn (Organ)
Colin Griffin (Drums)
Elle Cato (Vocals)