25-November-2013
The Theater at Madison Square Garden
New York, USA

Pete from NYC sent in this review
It was very different from other VM shows I’ve seen. For one thing, it didn’t immediately blow me away. While the sound was excellent right from the start (as it always is at this venue), the energy seemed a bit on the mellow side at times. There were parts that I thought seemed a bit phoned in, such as “Open the Door” and “Whenever God Shines His Light”. And I thought he was playing a lot of mellow songs overall. Well, I thought, maybe this would be kind of an uneventful show.

But something else was different about this show – right after “Moondance”, Van started talking to the audience. He said he had a special treat for us, three “masters of vocalese” – Jon Hendricks (who is 92 years old!), Aria Hendricks and Kevin Burke. I had actually heard of Jon Hendricks because of Joni Mitchell’s cover of “Twisted”, which was originally done by Lambert, Hendricks & Ross. I’d never heard him talk to the audience before, and it seemed like he didn’t want to shut up. He had a laid-back, light-hearted vibe that was very different from anything I’d seen him do before. The vocalese trio were amazing, and I knew we were getting something special and unique to that evening’s show.

The set list seemed kind of heavy on 80s and 90s deep cuts, which was fine. “Enlightenment” was really nice, and at the end of the song he sang, “Enlightenment, don’t care what it is.” It was the most relaxed and least cantankerous version I’ve personally seen of VM, and his changing that line seemed aligned with that. I was really happy to hear “Days Like This” and at one point I shut my eyes and just listened, and that’s where the show started to become transcendent for me.

Van was saving the high energy stuff for the end of the show, with an extremely fun and entertaining stretch beginning with “Baby Please Don’t Go” all the way to the end. “Brown Eyed Girl” was the longest, jammiest version I’ve ever heard. For “It’s All in the Game”, he was unbelievably chatty and was cracking jokes left and right! This was a side of Van I’d never seen and I feel so blessed to have gotten to experience it. “Gloria”, of course, closed the show, with a balls-to-the-wall drum solo after Van left the stage. What a night! We left happy.
-Pete S.

Setlist (Thanks to Michael S.)
Celtic Swing
Moondance
Centerpiece w/Jon Hendricks, Aria Hendricks & Kevin Burke
Sack of Woe w/Jon Hendricks, Aria Hendricks & Kevin Burke
Open the Door (To Your Heart)
Sometimes We Cry w/Shana Morrison
Old Black Magic w/Shana Morrison
Enlightenment
Whenever God Shines His Light
Days Like This
In the Midnight
Baby Please Don't Don't Go (Dedicated to Bert Berns)
Here Comes the Night
Brown Eyed Girl
It's All in The Game/Time is Running Out/No Plan B
Help Me
Gloria

Big Hand for The Band!
Chris White (Saxophone)
Alistair White (Trombone)
Dave Keary (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards)
Jeff Lardner (Drums)
Shana Morrison (Vocals)
Bobby Ruggiero (Percussion)
Jay Berliner (Guitar)

22-July-2013
Slieve Donard Resort & Spa 
Newcastle, Northern Ireland

via Kjell D.

Setlist (Thanks Mike S.)
Coney Island
Celtic Excavation
Into the Mystic
In the Garden
What Am I Living For
Playhouse
Sometimes We Cry
Going Down to Monte Carlo
Retreat and View
Haunts of Ancient Peace
Common One
Enlightenment
Thanks For The Information
Baby Please Don't Go/Rock Island Line/Boogie Chillin
Help Me
Gloria

21-July-2013
Slieve Donard Resort & Spa 
Newcastle, Northern Ireland

via Art S.

Setlist (Thanks Mike S.)
Coney Island
Higher Than The World
Stranded
Pay The Devil
What Am I Living For
Open The Door (To Your Heart)
Have I Told You Lately
Stormy Monday/Lonely Avenue
Sometimes We Cry
Playhouse
Going Down to Monte Carlo
Retreat and View
Fame
Too Many Myths
Take Your Hand Outta My Pocket
Whenever God Shines His Light
Help Me
Gloria

18-July-2013
Hebridean Celtic Festival 
Stornoway, Scotland

The Scotsman (source)

Review: Hebridean Celtic Festival, Isle of Lewis

LIKE MANY UK festivals, the Heb Celt was due a sunny one, and the 18th outing for the Western Isles’ flagship event got that with bells on.

For the afternoon acts, in fact, the experience looked somewhat disconcerting: the festival’s picturesquely tented, tree-lined, two-stage main arena is constructed more with lashing rain than baking heat in mind, capable of sheltering much of the weekend’s annual 15000-ish attendance - but with most folk recumbently soaking up sounds and rays outside, playing the vast main marquee in particular must have felt like addressing an almost literal black hole. It seemed fractionally to be getting to Manchester five-piece The Travelling Band, as they amped up volume and tempo towards the end of their teatime set, but a distinctly frustrated edge to their bellowed exhortation, “Time to wake up!”, was understandable, given their soulful, soaraway anthems and big catchy choruses’ adroitness - underpinned by classily diverse guitar work - at hitting the festival sweet spot.

The same was achieved for most of the faithful assembled at the feet of headliner Van Morrison, whose slickly efficient 90-minute set, anchored by an excellent 9-piece band, roamed across the rootsy, bluesy, soul/jazz-inflected territory on which his curmudgeonly legend is founded, wrapping up with a string of classic cuts - Moondance, Brown-Eyed Girl, Gloria - before The Man exited stage left at exactly 10pm. No encore, natch, but apparently this was him positively overflowing with bonhomie, according to the misanthropic standards in which he’s somehow indulged.

Capercaillie’s appearance the next night was both marvellously, movingly apt - at a hugely successful Gaelic-rooted festival, whose contemporary cultural context the band has been so pivotal in shaping - and absolutely thrilling, while Saturday bill-toppers The Red Hot Chilli Pipers comprehensively demonstrated the awesome force of precision-machined, unapologetically populist Celtic showbiz. The similarly various likes of Lau; dream-team US/UK pairing Darrell Scott and Danny Thompson; wittily unpredictable Dundee rising stars Anderson, McGinty, Webster, Ward & Fisher; sizzling latter-day stringband The Hot Seats, and brilliantly wayward local bard Iain Morrison featured elsewhere in a characteristically select yet wide-ranging Heb Celt programme, highlighting the curatorial skill that’s always been its fundamental strength, whatever the weather.
-SUE WILSON