09-October-2016
Forest Hills Stadium
 New York, USA

Dan Murray's take on gig
Look Beyond the Hills

Located near a lovely residential area in Queens, Forest Hills Stadium is a pretty big venue, but tightly configured and with excellent sound throughout.

I had been worried about the weather for days, and it turns out that Matthew was still stinging the area with his tail, whipping up strong winds and some showers. The showers abated by mid-afternoon as the storm moved further out to sea, but the winds stayed brisk during the entire show. It was a chilly, chilly evening, but that set the atmosphere for a pretty hot gig with Van and the band seemingly unbothered by the weather. Morrison was in excellent voice throughout the show, opening with Too Late and finishing with In the Garden and Gloria. The set list was expertly pegged to the crowd.

Of course, at a venue this size, there is going to be a very diverse group: The idiots who talk and don't listen, those who listen sporadically, and those intent on following every note, some dancing and smiling and having a grand time. I was surrounded by each type.

Ghostly, softly illuminated clouds sailed over the venue as skies partially cleared for the gig, a big half-moon cookie of a moon shining down. Jetliners banked gently near the stadium on their airport approaches, their lights twinkling. It was a great atmosphere.

Van and the band knew they had to cut through the cold in the air, and they did a great job helped out by the superb sound system. The music was sharp and spot on.

Van continues to revel in performing at the moment, his body language full of energy and his head tilting back and emoting with power.

Every song was well-performed, with In the Afternoon getting the workshop treatment. With Bobby Ruggiero back on drums for the US gigs, Van returned the Parchman Farm spouse-shooting drumshots into the set, and that Old Black Magic duet returned with a lovefest by dad for daughter Shana, who opened the show with a nice, longer-than-usual set. Tore Down a la Rimbaud was joyous and inspiring.
Van featured 4 songs from his gorgeous new album, but not Out in the Cold Again. That would have been too appropriate.

In the Afternoon continues to be a welcome beauty, Van exploring new avenues on the ancient highway until sittin' pretty on the mountaintop above the deep blue sea, with vistas stretching out over miles and miles of golden sand. Always great to get Garden and the Holy Guardian Angel. Van sang this one and Gloria clear out into the wings and through the side curtains.

Van fan Brian Heffler suggested I contrast this show with the Culloden gigs I was fortunate to attend 3 weeks ago. Some of the differences are obvious, Forest Hills is 40 times bigger than the Culloden. It has bench seating, primarily, instead of tables in an elegant ballroom. It is open air with much more people movement and distraction.

But Van and the band surmounted all of those things on Sunday night. The music at the Culloden and the music at Forest Hills featured the same commitment and pleasure-inducing features, although obviously the Culloden was much more intimate and conducive to a little more stretching out on the workshops. All the shows were highly successful.

Van and the crew now swing out to the West Coast for 5 more gigs, in very different venues. I have a feeling they are going to be memorable.
-Dan Murray

Setlist (Thanks John Z.)
Too Late
Wild Night
Magic Time
Someone Like You
Tore Down A La Rimbaud
Baby Please Don't Go/Parchment Farm/Don't Start Crying Now
Here Comes The Night
Cleaning Windows
Sometimes We Cry
Old Black Magic w/Shana Morrison
Precious Time
Going Down To Bangor
In the Afternoon/Ancient Highway/Raincheck/Sittin' Pretty
Whenever God Shines his Light
Why Must I always Explain
Brown Eyed Girl
Keep Me Singing
Let It Rhyme
In The Garden
Gloria

Big Hand For The Band!
Dave Keary (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards)
Bobby Ruggiero (Drums)
Dana Masters (Vocals)

Connect With Other Van Morrison Fans in Our Facebook Group

Mystic Avenue Facebook Group

25-November-2013
The Theater at Madison Square Garden
New York, USA

Pete from NYC sent in this review
It was very different from other VM shows I’ve seen. For one thing, it didn’t immediately blow me away. While the sound was excellent right from the start (as it always is at this venue), the energy seemed a bit on the mellow side at times. There were parts that I thought seemed a bit phoned in, such as “Open the Door” and “Whenever God Shines His Light”. And I thought he was playing a lot of mellow songs overall. Well, I thought, maybe this would be kind of an uneventful show.

But something else was different about this show – right after “Moondance”, Van started talking to the audience. He said he had a special treat for us, three “masters of vocalese” – Jon Hendricks (who is 92 years old!), Aria Hendricks and Kevin Burke. I had actually heard of Jon Hendricks because of Joni Mitchell’s cover of “Twisted”, which was originally done by Lambert, Hendricks & Ross. I’d never heard him talk to the audience before, and it seemed like he didn’t want to shut up. He had a laid-back, light-hearted vibe that was very different from anything I’d seen him do before. The vocalese trio were amazing, and I knew we were getting something special and unique to that evening’s show.

The set list seemed kind of heavy on 80s and 90s deep cuts, which was fine. “Enlightenment” was really nice, and at the end of the song he sang, “Enlightenment, don’t care what it is.” It was the most relaxed and least cantankerous version I’ve personally seen of VM, and his changing that line seemed aligned with that. I was really happy to hear “Days Like This” and at one point I shut my eyes and just listened, and that’s where the show started to become transcendent for me.

Van was saving the high energy stuff for the end of the show, with an extremely fun and entertaining stretch beginning with “Baby Please Don’t Go” all the way to the end. “Brown Eyed Girl” was the longest, jammiest version I’ve ever heard. For “It’s All in the Game”, he was unbelievably chatty and was cracking jokes left and right! This was a side of Van I’d never seen and I feel so blessed to have gotten to experience it. “Gloria”, of course, closed the show, with a balls-to-the-wall drum solo after Van left the stage. What a night! We left happy.
-Pete S.

Setlist (Thanks to Michael S.)
Celtic Swing
Moondance
Centerpiece w/Jon Hendricks, Aria Hendricks & Kevin Burke
Sack of Woe w/Jon Hendricks, Aria Hendricks & Kevin Burke
Open the Door (To Your Heart)
Sometimes We Cry w/Shana Morrison
Old Black Magic w/Shana Morrison
Enlightenment
Whenever God Shines His Light
Days Like This
In the Midnight
Baby Please Don't Don't Go (Dedicated to Bert Berns)
Here Comes the Night
Brown Eyed Girl
It's All in The Game/Time is Running Out/No Plan B
Help Me
Gloria

Big Hand for The Band!
Chris White (Saxophone)
Alistair White (Trombone)
Dave Keary (Guitar)
Paul Moore (Bass)
Paul Moran (Keyboards)
Jeff Lardner (Drums)
Shana Morrison (Vocals)
Bobby Ruggiero (Percussion)
Jay Berliner (Guitar)

Van Morrison Returns To North America  

San Francisco and New York Dates in November Announced

 22-Nov-2013 Nob Hill Masonic Auditorium, San Francisco
 23-Nov-2013 Nob Hill Masonic Auditorium, San Francisco
25-Nov-2013 The Theater at Madison Square Garden, New York
26-Nov-2013 Beacon Theatre, New York

On sale from Ticketmaster